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Though it is nice to stay consistent to some degree, it would be nice to see the franchise mix it up instead of constantly reminding us he is deadly. It is obvious why this is the case, but this was the same situation in the original. Wherever he goes, his name is met with horror and fear. While the references to the original are quite limited, the film nonetheless keeps the same plot idea: people are stupid to mess with John Wick. Unfortunately, too much of the film is obsessed with reminiscing on the original. It is a powerful scene before this, but with this final image of the bloody but silent carnage left by a visit from John Wick, it really cements itself as a highlight of the film. In a candle-lit bathroom with blue water and deep red blood all over, Gianna lays with her hands outstretched.
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As she lies naked in a tub with the blood from her wrists taking over the water, the camera rises to the ceiling and looks down upon her. The framing and composition are similarly top-notch, particularly in the sequence with Gianna. Whenever the story may slack or a line comes off awkwardly, the film's impeccable use of color always picks it up off of the ground. Together with those aforementioned fight scenes and the film is one with visuals that far exceed the quality of its plot and acting. With the crispness of digital photography matching perfectly with the film's neon aesthetic, the composition of shots and blending of colors in the background make this a film that is littered with eye candy. Tossing in a gorgeous usage of blue blended with any number of warm colors, John Wick: Chapter 2 is a truly beautiful film. With its neon backlighting in every sequence, it is hard to deny that John Wick is a truly stylish film. Matching the gorgeous visuals of the fight sequences is the color scheme of the film.
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Instead, the fight is given room to breathe and it takes incredibly deep breaths. Instead, it is in rhythm with Wick and the action with no frivolous cuts that could disorient or distract from what is taking place. The camera certainly moves, to be clear, but it is never jarring. Alongside this, Stahelski's refusal to turn the film into a handheld camera mess continuously rewards the viewer with steady, heavily digital, and incredibly crisp action scenes. They are nuanced, extravagant, and detailed sets that allow Stahelski and his star, Keanu Reeves, to really feel their way around the dance floor and find out what spot on the set is the perfect one for each move. Utilizing great set pieces - such as the Reflections on Self exhibit in the museum that plays out like a hall of mirrors - there is always some new secret or foe hiding around every corner. Yet, its choreography is not all that makes the film's action appealing.
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For those who do not believe that action can be beautiful and put together in such a fine-tuned and structured fashion that it becomes like a dance with guns and knives, John Wick continues to stand as the perfect counter to that claim. Former stuntman turned director Chad Stahelski continues to show what makes this franchise so appealing: its gorgeous stunts and fight choreography. It is like watching a ballet with two equal foes entering in a dance with one another that only one will survive. While its love of headshots leaves the film blood soaked, the fight sequences always take center stage. With a seamless flow and orchestral feeling to the action, the film is a sight for sore eyes. As with the original, John Wick: Chapter 2 has absolutely exquisite action sequences. Unraveling from there, the world comes crashing down around Wick with Gianna's bodyguards, fellow assassins, and then the entire world all coming down on him by the film's end. Cashing in a marker given to him by John that let Wick get out of the game the first time around, Santino thrusts him back into the world of assassin work by tasking him to kill Santino's sister, Gianna (Claudia Gerini). After losing his wife, dog, and car, in the first film, Wick loses his freedom this time around via Italian crime boss Santino D'Antonio (Riccardo Scarmacio). Dishing out headshots like Oprah Winfrey gives away cars, John Wick: Chapter 2 finds the famed Boogeyman fighting for his life once again. Dispatching the lengthy one-liner, "Oh my God it's Jason Bourne" for the simplistic, "Oh," when a poor sap realizes who is after them, Chapter 2 of this saga is another stylish entry into this newfound action franchise. Dispatching the lengthy one-liner, "Oh my God it's Jason Bourne" for the simplistic, "Oh," when a poor sap realizes who is after them, Chapter 2 of this saga is another stylish entry into this Rapidly, John Wick is turning into Jason Bourne. Rapidly, John Wick is turning into Jason Bourne.